Phonography
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283
In place. JASON KAHN (Winds Measure 2013) Review by Patrick Farmer “Tarrantino is interested in watching somebody’s ear getting cut off; David Lynch is interested in the ear.” David Foster Wallace. A supposedly fun thing I’ll never do again. A…
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282
Archaic variations: Localization. VA (Obs 2012) Review by Flavien Gillié John Grzinich dans une réflexion publiée sur le Field Reporter disait récemment : ‘In the mid-90s we were saying ‘I guess we’ll call what we’re doing “experimental music” ‘ Cette…
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281
Baltic Triangle. SALA (OtO 2013) Review by Chris Whitehead ‘And the answer came from the sea, quietly howling and murmuring among the swaying shore grass: It is the wind, wind, wind.’ (M. K. Ciurlionis, 1875 – 1911) To successfully bring…
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280
Sabbion. ENRICO CONIGLIO (Green Field Recordings 2013) Review by Jay-Dea Lopez There have been several studies by field recordists into the various tonalities of water – Enrico Coniglio’s latest work “Sabbion” may be one of the finest to join this body.…
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279
Helgoland. LASSE MARC-RIEK (Gruenrekorder 2013) Review by Jay-Dea Lopez Field recordists often demonstrate the concept of place through its indigenous sounds. Another approach considers how present-day sounds reveal layers of history. The latter is an intriguing practise. What events have…
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An antidote to indifference
An antidote to indifference Field Reporter editor Cheryl Tipp was in charge of the new ‘Caught by the river’ edition ‘An antidote to indifference’ where you can find an article by Jay-Dea Lopez and also words by Chris Whitehead, editors…