Musique concrete

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    Rishikesh. FIVE ELEMENTS MUSIC -Sergey Suhovik- (Unfathomless 2012) On a beau nous avoir inculqué depuis notre plus malléable enfance de croire en l’Eglise, une, sainte, catholique et apostolique, il n’en demeure pas moins qu’en grandissant on n’a cessé d’éprouver une…

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    Panaural. JOAO CASTRO PINTO (Triple Bath 2012)  Talking about the formal practice of incorporating any typology of sound into a musical piece, John Cage is named in the very first line of the press sheet of ‘Panaural’. But this is…

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    Des Lônes et des Pylônes. FLAVIEN GILLIÉ (Green Field 2012)  The seemingly recent discovery of the liminal as a legitimate place to explore and cherish has opened up new areas of awareness for some people. For others who have always…

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    Rishikesh. FIVE ELEMENTS MUSIC -Sergey Suhovik- (Unfathomless 2012) I just had a conversation with a fellow artist about how today media and culture seem to have been creating an atmosphere of fear and terror: we talked about how science TV shows…

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    Trazado oculto. JUAN JOSÉ CALARCO (Mandorla 2012)  ‘Trazado Oculto’ is about the enigmatic, the guessed forms behind the translucent, the moving of sounds in the built space… without knowing anything about their identity, their genesis, our ears are confronted at…

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    Four corners of the night. VA (Staaltape 2012) “On n’a pas tous les jours de la neige en été” (Diabologum) Pas vraiment une insomnie, plutôt des errances urbaines, au coeur de la nuit. Rinus Van Alebeek, curateur chez Staaltape a demandé ici…