Musique concrete
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334
Wasted five years. JACK HARRIS, SAMUEL RODGERS Kona kai. YPARXEI PROVLIMA AMALIA Reviews by Patrick Farmer The two newest releases on the Organised Music from Thessolaniki label, that aren’t actually that new anymore, but new enough. My apologies, to Kostis…
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333
Karren. OLIVIA BLOCK (Sedimental 2013) Review by Patrick Farmer Block writes in her liner notes that Erving Goffman’s dramaturgical metaphor described in The Presentation of Self in Every Day Life is a lens through which the entire composition, presented on…
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332
An Extended Meaning For Something Meaningless FRANCISCO MEIRINO (Auditory Field Theory 2013) Review by Caity Kerr On Auditory Field Theory we read: From the decaying fringe of the auditory spectrum we find ornate beauty in the subtle demise of electronic systems…
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330
Big Wad Excisions. COPPICE (Quakebasket Records 2013) Review by Caity Kerr Here are some lines from the promotional literature:- …have now blasted open the gates for them to rip through the status quo of musical law, and help redefine the future of…
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323
Ars abscondita JOAO CASTRO PINTO (OtO 2013) Article / interview by David Vélez ‘Ars abscondita’ is an interesting release by composer Joao Castro Pinto. It has plenty of narrative potential and the sounds present loads of detail and craft. This…
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Placed JEPH JERMAN, TONY WHITEHEAD (Very Quiet 2013) Review by Caity Kerr Preface I’ve been listening to two new releases which have so much in common in their treatment of natural material as musical resources that they deserve to be…
