Musique concrete

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    Are fishes nihilist? (all this is not realistic) D’INCISE (Kaon 2012) Review by John McEnroe There is an interesting text written by D’Incise Feraille on the booklet where he talks about the difficulties he faced while working with Cédric Peyronnet’s…

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    Ultrealith. ATRIFICIAL MEMORY TRACE -Slavek Kwi- (Gruenrekorder 2012) Review by Chris Whitehead Let’s deconstruct a rainforest and rebuild it as a sound object. Let’s walk into it, experience it and find a point where fragments of the modern world bleed…

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    Spheres. ISZ -Miguel Isaza- (Audiotalaia 2012) Review by John McEnroe Miguel Isaza is a sound artist from Medellin, Colombia and ISZ is a ‘electroacustic’ project where he captures sounds and processes them to generate a ‘new reality’. I have been following this…

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    Concert for no-one. SIMON WHETHAM (Impulsive Habitat 2012) Review by Flavien Gillié Capturer l’essence d’un lieu, le faire résonner sans pour autant s’effacer, faire de son corps en mouvement une partie prenante de la performance, aussi petit soit-on face à une…

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    Sceneries from the Castellated Wall. YASUHIRO MORINAGA (Galverna 2012) Using words to describe sound can often be anathema to the emotional experience of listening, our reactions to sound existing beyond the mental processes used by our everyday lexicon. This fact…

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    The Field Reporter 1st anniversary One year ago The Field Reporter published its first review (Load by Signed Liden). 365 days later and 172 reviews later we are proud to see that we have grown in many ways: the number…