Electroacoustic
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First half of 2012 in retrospective: A few words plus the noteworthy releases listed by The Field Reporter editors Over the first half of 2012 The Field Reporter reviewed almost 100 phonographic-based releases on its quest to to keep its…
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Arches. YANNICK DAUBY (Touch 2011) Wolves have occupied a special place in the mythologies of cultures around the world since time immemorial. Ancient stories of wolves are often divided into those which describe them as either agents of good or…
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Silver. RICHARD GARET (Obs 2012) In his creative process Richard Garet is always exploring new methods, new sources, new materialities and new media; this rigorous and explorative process has been delivering a progressively clearer vision of something Garet foresees and envision as an artist,…
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Static cinema. MARK VERNON (Entr’acte 2012) This version of Static Cinema was originally conceived by Mark Vernon as the soundtrack element of an art installation. In a room a female nude manikin stands on a stage, limbs deliberately and flamboyantly…
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The Field Reporter Radio #6 programmed by Alan Smithee [bandcamp track=2150585429 bgcol=FFFFFF linkcol=4285BB size=venti] 1. (fragment) Ulu lone. YANNICK DAUBY, MARC NAMBLARD from ‘Ulu lone’ (Silence Radio 2006) 2. (fragment) Zanshin Particles. CHRISTOPH LIMBACH from ‘3Priiises Vol.4’ (Earsheltering 2012) 3.…
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Forma y percepción. DAVID VÉLEZ (Impulsive Habitat 2012) Situation Recently I received a book through the post called Vanished Ocean. I was distractedly reading through fragments of this during my second full experience of David Velez’s ‘Forma y percepción’. In…