Electroacoustic
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190
[Dis] location JASON KAVANAGH, JAY-DEA LOPEZ (Sirona 2012) Review by Cheryl Tipp The premise for ‘[dis]location’, a collaborative project between JD Lopez and Jason Kavanagh, came from a desire to explore the complex relationship between sound, source and subject. The…
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188
Interview with D’Incise by John McEnroe Over a span of six months D’Incise released ‘The field remains while the recorder has vanished’, ‘Praire’ and ‘Are fishes nihilist?’, works that had for me a very special importance as I found there…
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182
Are fishes nihilist? (all this is not realistic) D’INCISE (Kaon 2012) Review by John McEnroe There is an interesting text written by D’Incise Feraille on the booklet where he talks about the difficulties he faced while working with Cédric Peyronnet’s…
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178
Spheres. ISZ -Miguel Isaza- (Audiotalaia 2012) Review by John McEnroe Miguel Isaza is a sound artist from Medellin, Colombia and ISZ is a ‘electroacustic’ project where he captures sounds and processes them to generate a ‘new reality’. I have been following this…
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177
Concert for no-one. SIMON WHETHAM (Impulsive Habitat 2012) Review by Flavien Gillié Capturer l’essence d’un lieu, le faire résonner sans pour autant s’effacer, faire de son corps en mouvement une partie prenante de la performance, aussi petit soit-on face à une…
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173
The Field Reporter 1st anniversary One year ago The Field Reporter published its first review (Load by Signed Liden). 365 days later and 172 reviews later we are proud to see that we have grown in many ways: the number…