Bioacoustics
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203
Gefiederte Meistersänger (Feathered Mastersingers). LUDWIG KOCH (Brühlscher Verlag Giessen 1935) Review by Cheryl Tipp Ludwig Koch was almost certainly the first field recordist to make wildlife recordings using a microphone. Having begun his career in the days when acoustic recording…
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195
[in]. ERIK DeLUCA (Everglade 2010) Review by John McEnroe I have heard and reviewed a variety of hydrophone recordings-based releases through the past two years and it amazes me how artistic experimentation and research can lead to new and surprising results. [in]…
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194
Buiti Binafin. FRÉDÉRIC NOGRAY (3Leaves 2012) Review by John McEnroe Some times I want to listen to the sounds of the rain forest. Sometimes it’s be the best I can do to be fully or acousmatically transported away from the…
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193
Interview with David Michael Interview by Chris Whitehead ‘The slaughter house’ is a controversial phonographic release composed by sound artist David Michael and published by german label Gruenrekorder. On this work the artist captured sounds on a slaughterhouse in Alabama which…
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191
The Birth of Wildlife Sound Recording Research by Cheryl Tipp For our 191th post we publish the entire research text written by our editor Cheryl Tipp (Wildlife Sounds Curator at the British Library) for our journal in regard of the origins of wildlife sound recordings…
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186
The Field Reporter Radio #12 ‘Tiempo inmanente’ by David Velez Piece composed with recordings captured on August of 2012 Photo: Lina Velandia . [bandcamp track=1994168521 bgcol=FFFFFF linkcol=4285BB size=venti] . David Velez website