• Untitled post 15417

    The First Hollywood Sound Shorts, 1926-1931 Edwin M. Bradley The transition from silent to sound films is a fascinating time in the history of mass entertainment. In the audiences’ eyes, the halting, stagebound earliest “talkies” paled in comparison to the fluid, lyrical silents they replaced.…

  • Untitled post 15420

    Electronic and Experimental Music: Foundations of New Music and New Listening (Media and Popularculture) Thom Holmes Electronic and Experimental Music is a second edition of a well-known text on the history of electronic music. Holmes’ original book, first published in 1985, was a beginner’s introduction…

  • Untitled post 15423

    Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity Anahid Kassabian How does the constant presence of music in modern life—on iPods, in shops and elevators, on television—affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us,…

  • Untitled post 15426

    Sound, Music, Affect: Theorizing Sonic Experience Marie Thompson & Ian Biddle Sound, Music, Affect features brand new essays that bring together the burgeoning developments in sound studies and affect studies. The first section sets out key methodological and theoretical concerns, focussing on the relationships between…

  • Untitled post 15429

    Experimental Music: Cage and Beyond (Music in the Twentieth Century) Michael Nyman Michael Nyman’s book is a first-hand account of experimental music from 1950 to 1970. First published in 1974, it has remained the classic text on a significant form of music making and composing…

  • Untitled post 15432

    Hearing Cultures: Essays on Sound, Listening and Modernity (Wenner-Gren Int’l Symposium Series) Veit Erlmann Hearing Cultures is a timely examination of the elusive, often evocative, and sometimes cacophonous auditory sense. It answers such intriguing questions as: Did people in Shakespeare’s time hear differently from us?…