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infinite grain 14: france jobin
[infinite grain is a series of interviews inspired on microsound procedures, exploring a wide variety of topics in dialogue with artists who work with sound on installation, composition and improvisation] Above all, she is a listener, not just attentive to sound but…
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Pauline Oliveros on the Difference Between Hearing and Listening
A new TEDtalk by Pauline Oliveros has been published on YouTube. It’s great, as anything you could expect from her. She talks about the deep listening process, her considerations around whats truly listen and how it reflects on our lives.…
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Thinking Resonance (I) – Listening to Inner Voices and Sonic Possible Worlds: An Interview with Salomé Voegelin
[‘Thinking Resonance’ is a series articles based on a bidirectional relation considered between sound and thinking, approaching the interstice between thinking about and/or through sound/listening, that is, sonority both as object of study and as speculative/critical device] “If you could hear…
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Tsonami 2015: Audio Fiction – Sonic Imagination and Urban Speculation
Based in Valparaiso/Santiago, Chile, Tsonami is probably one of the most important international sound art festivals and certainly highly significant for south american sound exploration and practices, not only reflected on their always fine selection of artists, concerts, installations and…
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What Now? 2015: The Politics of Listening
Four sessions of What Now? 2015: The Politics of Listening, by Vera List Center. What Now? 2015 is a two-day annual symposium, organized by Art in General in collaboration with the Vera List Center for Art and Politics, which investigates critical…
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christoph cox on approaching 'noise music'
“You have to get inside the music, rather than hearing it as something that has a progression,” says Christoph Cox when asked how audiences can approach noise music—which he describes as part of a series of musics that are “more…