Author: fieldreporter

  • 64

    64

    Part III and final The story behind the release San Miguel de Bala chronicle by Antony Milton The annual San Miguel fiesta was coming up in a couple of days so we decided to stay for that before leaving, thinking…

  • 63

    63

    Part II The story behind the release San Miguel de Bala chronicle by Antony Milton We arrived at San Miguel del Bala, not much more than a bend of river bank in the jungle, and it was straight into the…

  • 62

    62

      Part I The story behind the release San Miguel de Bala chronicle by Antony Milton We were in La Paz in Bolivia, six months into a year long journey through South America. After a several weeks at high altitude…

  • 59

    59

    Voodoo ceremony in Haiti. VA, recorded by MAURICE BITTER (Olympic 1974) Most of the works reviewed on The Field Reporter are either phonographic works­ based on incidental sounds, phonographic works based on the sounds of nature, works with a musique concrete approach and electroacoustic compositions. “Voodoo ceremony in Haiti”…

  • 58

    58

    Taî-pak thiaⁿ saⁿ piàn. YANNICK DAUBY (Kalerne 2011) French composer and theorist Michael Chion has wrote extensive lines about the relation between sound and film in books such as “Film, a Sound Art” and “Audio Vision”. On “Audio vision” Chion writes about the…

  • 57

    57

    Breaking ice. ARTIFICIAL MEMORY TRACE -Slavek Kwi- (Tentacles Of Perception 2011) “If only, then, I had been more living out of the present–such a beautiful word…present. The sense of it being, now to me, more beautiful than ‘to look forward.” – Stan…