2012
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202
What Are The Roots That Clutch. MURMER (Helen Scarsdale Agency 2012) Review by Daniel Crokaert How to associate sounds from different timbre & origins, and give them the strength & cohesion of the real capture while imparting them an increased…
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201
Parallel Paths. CELLO + LAPTOP -Edu Comelles & Sara Galán- (Envelope Collective 2012) Review by Jay-Dea Lopez Parallel Paths is a collaborative release featuring Sara Galán on cello alongside the field recordings of Edu Comelles. Throughout the release the two…
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200
Interview with Francisco Meirino by Chris Whitehead Francisco Meirino lives in Lausanne, Switzerland and has been active in the field of experimental music since 1994. His work explores the tension between programmable material and the potential for its failure. He…
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199
Movement -Holkham-. PETER TOLL (Engraved Glass 2012) Review by Cheryl Tipp Listening to a publication for the first time always comes with a sense of anticipation. How will it sound? What form will it take? Will it match my preconceived…
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198
Ravenscar. CHRIS WHITEHEAD (Unfathomless 2012) Review by John McEnroe 2012 has been a very succesful and prolific year for Chris Whitehead with releases like ‘Gryphaea’, South gare’, Ravenscar’ and recently ‘Ch – da ( d – 2 )’ with Darius…
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197
Time Passes. LUIS ANTERO, JAY-DEA LOPEZ (Green Field 2012) Review by Flavien Gillié A Day In The Life Jay-Dea Lopez et Luis Antero artistes sonores et adeptes du field recording sont réunis ici sur un album pour littéralement faire passer…