art

  • ::vtol:: – oil

    ::vtol:: – oil

    The main idea of this project is to present exhibition visitors with the chance to destroy any object that might happen to be on their person, in order to transform it into a unique sound production. The installation consists of…

  • phantom terrains

    phantom terrains

    Streams of wireless data surge from internet exchanges and cellphone relays, flowing from routers to our devices and back again. This saturation of data has become a ubiquitous part of modern life, yet it is completely invisible to us. What…

  • Sound Studies: Art, Experience, Politics

    Sound Studies: Art, Experience, Politics

    8 July 2015 – 10 July 2015 CRASSH, Alison Richard Building, 7 West Road, CB3 9DT – SG1&2 Sound Studies: Art, Experience, Politics is a three-day conference featuring leading researchers and artists in the field. The conference will include presentations…

  • and the wind was like the regret for what is no more

    and the wind was like the regret for what is no more

    The wind outside is the source of sound; it is the whisper that will disrupt silence. This work consists of a set of sixteen bottles – with air blowers attached to each one of them – and a wind vane.…

  • Sonic Acts Festival 2015 – The Geologic Imagination

    26 February –1 March 2015, Amsterdam Sonic Acts announces the first names for the 2015 edition: philosopher Graham Harman, theorists Benjamin Bratton and Timothy Morton, architect and researcher Liam Young, weird fiction writer Jeff Vandermeer and research journalist Alan Weisman,…

  • infinite grain 07: fabio perletta

    infinite grain 07: fabio perletta

    [infinite grain is a series of interviews inspired on microsound procedures, exploring a wide variety of topics in dialogue with artists who work with sound on installation, composition and improvisation] The possibility of experimenting with microsound realms opens space for new forms of expression…