Reviews
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20
Untitled. JUAN JOSE CALARCO (Folkestone Fringe 2011) Buenos Aires based Juan José Calarco has long shown his extra perceptive talents.Whatever becomes the subject of his sound art, once reinterpreted, seems to exude its true essence & evanescent properties. Not a lot can pretend…
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19
Hear one near and think of the other. MIMOSA | MOIZE (Dragon’s Eye 2011) “A moment remembered is a moment anew.”. This is the first sentence on the text for Hear one near and think of the other a release by Mimosa|Moize a project…
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18
Vacío retórico. DAVID VELEZ (Audio Gourmet 2010) Quest heavy and formidable.., ..a subterranean rumble of wind conquered by solid movement giving rise to a crackling with slightly hesitating dragging… We enter a passage. Like a hole being dug into a…
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17
Factory music. LUIS ANTERO (Wandering Ear 2011) Printing Works 87 dBA Since the Industrial Revolution and the embracing by our species of mass production, machinery has made its rhythmic music a central factor in the urban soundscape. Indeed, anyone who…
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16
Anáádiih. MATHIEU RUHLMANN & BANKS BAILEY (3LEAVES 2011) Navajos were able to measure the months by the phases of the moon. The Moon is referred to as “waning” when, in the northern hemisphere, the right side is dark and the…
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15
Il segno del posto. CARLO GIORDANI (Green Field Recordings 2011) Over the past years the sound recording equipment has become more accesible just like it happened in the past with video and photography equipment and with software licensing. On a sound…