Acousmatic

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    Compound form. COPPICE (Triple Bath 2013) Review by David Vélez Spoiler alert. The Chicago duo of Joseph Kramer and Noé Cuéllar (Coppice) were responsible for one of the really interesting releases of 2012 ‘Holes / Tract’ on British label Consumer Waste.…

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    Untitled for (Agnes Martin) BEN OWEN, SCOTT ALLISON (Winds Measure 2013) Review by Flavien Gillié Peindre et s’effacer. Un long silence emplit l’atmosphère Un silence qui est tout sauf le vide, le premier titre pose les jalons, l’oeuvre s’annonce exigeante…

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    A Sound Map of the Housatonic River. ANNEA LOCKWOOD (3Leaves 2013) Review by Cheryl Tipp ‘A Sound Map of the Housatonic River’ is the latest instalment in Annea Lockwood’s river series. Four beautifully composed pieces trace the course of the…

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    In place. JASON KAHN (Winds Measure 2013) Review by Patrick Farmer “Tarrantino is interested in watching somebody’s ear getting cut off; David Lynch is interested in the ear.” David Foster Wallace. A supposedly fun thing I’ll never do again. A…

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    Archaic variations: Localization. VA (Obs 2012) Review by Flavien Gillié John Grzinich dans une réflexion publiée sur le Field Reporter disait récemment  : ‘In the mid-90s we were saying ‘I guess we’ll call what we’re doing “experimental music” ‘ Cette…

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    Baltic Triangle. SALA (OtO 2013) Review by Chris Whitehead ‘And the answer came from the sea, quietly howling and murmuring among the swaying shore grass: It is the wind, wind, wind.’ (M. K. Ciurlionis, 1875 – 1911) To successfully bring…