Just a gentle dose of sound repetition is needed to realize the immeasurable state of temporary detachment that the listening activity is capable of providing. In Birds and Water 4, Ben Owen enacts two servings of drones capable of stimulating perception in unimaginable routes, perhaps incapable of being condensed into mere adjectives and conclusions because of the immersion caused by such unsurpassed work. One might think that is listening to the same microsounds repeatedly, but every millisecond exposes a new universe of possibilities and details that emerge once the act of listening is not only invited but invaded, thus generating an atmosphere that is located in the timeless to narrate rather than stories, states; rather than time, space. It is a multidimensional infiltration, enabled to break the conditions of the clock hands and throw the listener to courses that dissolve the ears in their own search. (notice recordings)
ben owen – birds and water 4
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[…] Reviews: Brian Olewnick / Just Outside Frans de Waard / Vital Weekly Guillaume Belhomme / Le Son du Grisli (See Travis Bird’s translation here.) Infinite Grain (Miguel A. García) […]
[…] Ben Owen – Birds and Water, 4 Vital Weekly (Frans de Waard) Just Outside (Brian Olewnick) Le Son du Grisli (Guillaume Belhomme) (See Travis Bird’s translation here.) Infinite Grain (Miguel A. García) […]
[…] Ben Owen – Birds and Water, 4 Vital Weekly (Frans de Waard) Just Outside (Brian Olewnick) Le Son du Grisli (Guillaume Belhomme) (See Travis Bird’s translation here.) Infinite Grain (Miguel A. García) […]