Author: Cheryl Tipp

  • 221

    221

    Brames (et autres mouvements d’automne) MARC ET OLIVIER NAMBLARD (Ouïe / Dire 2012) Review by Cheryl Tipp I don’t usually begin my reviews by talking about the presentation of a publication. Mostly because I’m more focused on the actual audio…

  • 206

    206

    TransMongolian. ROLAND ETZIN (Gruenrekorder 2012) Review by Cheryl Tipp Roland Etzin’s ‘TransMongolian’ is a series of acoustic portraits recorded during a three month journey across Russia, China, Mongolia, South Korea and Japan. Given the sheer distance covered by Etzin during…

  • 203

    203

    Gefiederte Meistersänger (Feathered Mastersingers). LUDWIG KOCH (Brühlscher Verlag Giessen 1935) Review by Cheryl Tipp Ludwig Koch was almost certainly the first field recordist to make wildlife recordings using a microphone. Having begun his career in the days when acoustic recording…

  • 199

    199

    Movement -Holkham-. PETER TOLL (Engraved Glass 2012) Review by Cheryl Tipp Listening to a publication for the first time always comes with a sense of anticipation. How will it sound? What form will it take? Will it match my preconceived…

  • 191

    191

    The Birth of Wildlife Sound Recording Research by Cheryl Tipp For our 191th post we publish the entire research text written by our editor Cheryl Tipp (Wildlife Sounds Curator at the British Library) for our journal in regard of the origins of wildlife sound recordings…

  • 190

    190

    [Dis] location JASON KAVANAGH, JAY-DEA LOPEZ (Sirona 2012) Review by Cheryl Tipp The premise for ‘[dis]location’, a collaborative project between JD Lopez and Jason Kavanagh, came from a desire to explore the complex relationship between sound, source and subject. The…