Improvisation

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Big Wad Excisions. COPPICE (Quakebasket Records 2013) Review by Caity Kerr Here are some lines from the promotional literature:- …have now blasted open the...

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Quasi static crack propagation YANN LEGUAY (Consumer Waste 2013) Review by David Vélez From the liner notes 'Yann Leguay is a true media saboteur. He appro...

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Dah Eum. UNA LEE (Impulsive Habitat 2013) Review by Caity Kerr Preface I’ve been listening to two new releases which have so much in common in their treatm...

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These walls resemble absence MUFI.RE -Rui Almedia- (3Leaves 2013) Review by David Vélez There is a special quality to the work of Rui Almedia that makes his...

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This place / is love ANTOINE BEUGER, MICHAEL PISARO (Erstwhile 2013) Review by Patrick Farmer The combined catalogue of the works of Antoine Beuger and Mich...

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Pictures of Men PATRICK FARMER, DAVID LACEY (Copy For Your Records  2013)  Review by Chris Whitehead Maybe a bookcase falls forward and smashes. There are b...

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Two years ago The Field Reporter published its first article (a review of Load by Signed Liden). 730 days later and 290 articles later we hope that the review...

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Crackle Party VA AA LR (Porta 2013) Review by Chris Whitehead I remember going to a neighbour’s bonfire party as a kid. Of course it would be safe as it was...

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Compound form. COPPICE (Triple Bath 2013) Review by David Vélez Spoiler alert. The Chicago duo of Joseph Kramer and Noé Cuéllar (Coppice) were responsible ...