Phonography

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Under Review – Field Recording Works in the Spotlight. essay by Simon Whetham  I think it's only happened this year, but I have noticed some odd comments re...

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Bay Ridge. DAVID VELEZ (Mystery Sea 2011) Introduction CD1 - 01.Bay ridge vol.I 58'04 CD2 - 01. Bay ridge vol.II 35'18 David Velez is a Colombian sound ar...

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April triptych. COLLIN THOMAS (Resting Bell 2001) The work of CollinThomas reminds me of the impressionist painters where they would deal primarily with mome...

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Swiss mountain transport system. ERNST KAREL (Gruenrekorder 2011) The thumping sound of the steel cable and the rhythmic crackling encounter of the supporti...

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Trainishness. PHONIC PSYCHOMIMESIS (Impulsive Habitat 2011) People like trains. There is a mythology and a romance built around them. Speaking personally, my...

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Swiss mountain transport system. ERNST KAREL (Gruenrekorder 2011) Swiss mountain transport system is a good example of  how, when heard out of context, soun...

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Arpenter. D'INCISE (Taâlem 2011) Swiss-based sound artist d'incise (a.k.a. Laurent Peter) has scoured the experimental paths since aeons, it seems...frequent...

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Sensacions Desplaçades. CARLOS VILLENA (Mystery Sea 2011)  Carlos Villena's  Sensacions Desplaçades is characterised by a restricted use of resources, field ...

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Cold shoulder. SIMON WHETHAM (Audio Gourmet 2011)  Simon Whetham's cover photograph for Cold Shoulder depicts an unwelcoming, angular architecture of inhuman...

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Aguatierra. JUAN JOSE CALARCO (Unfathomless 2011) "A flow from which the discontinuities of time and space try to create a continuous narrative through the w...

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Soundscape study 001. DANIEL ALEXANDER HIGHNELL (Tripe Bath 2010) The boundary between the source of the sound and the listener, or similarly between the sou...

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The maker. JAMES WYNESS (Gruenrekorder 2011) The maker appears to our experience as a structural entity in constant dilatation / contraction that brings to my ...