Phonography

319

Circle wind HIROKI SASAJIMA (Felt Collective 2013) Review by Jay-Dea Lopez Night-time. Without light to guide us we are reliant upon auditory cues. Surround...

318

Placed JEPH JERMAN, TONY WHITEHEAD (Very Quiet 2013) Review by Caity Kerr Preface I’ve been listening to two new releases which have so much in common in thei...

313

Leave / trace. GRISHA SHAKHNES (Glistening Examples 2013)Review by Daniel CrokaertAlready praised for many impactful works under the MITES alias, Grisha Shakhne...

307

In the wake. TERJE PAULSEN (Impulsive Habitat 2013)  Review by Cheryl Tipp ‘In the Wake’ by Terje Paulsen is the 73rd release from Impulsive Habitat and has...

304

Framework Seasonal -Issue #5 Summer 2013- THE DERBY TAPE RECORDING CLUB, THE LEICESTER TAPE RECORDING CLUB Edited and compiled by MARK VERNON (Framework 2013)...

303

A measure of ground STEPHEN CORNFORD, PATRICK FARMER (Consumer Waste 2013) Review by David Vélez A pursuit for a form that works on an emotional and intelle...

301

The Field Reporter Radio #21 Programmed by Cheryl Tipp Download The Field Reporter Radio #21 fragment from "Sceneries from the Castellated Wall" YASUHIRO ...

299

These Are The Good Times LONDON SOUND SURVEY -Recordings by Ian M. Rawes- (Vittelli Records 2013)  Review by Chris Whitehead Italo Calvino's book Invisible ...

298

Tannehill Iron Works. DAVID MICHAEL (self release 2010)  Review by Cheryl Tipp Sultry is the first word that comes to mind when listening to David Michael’s...

297

  In St Cuthbert's Time. CHRIS WATSON (Touch 2013) Review by Patrick Farmer The Sound of Lindisfarne and the Gospels.. A 7th century soundscape of Lindisfarn...

296

(G)W(3). BRUNO DUPLANT, DARIUS CIUTA (Mystery Sea 2013) Review by Caity Kerr There’s no text on the CD, but there is some lovely artwork, as always with Dan...

294

34:13 Ambeliona. MECHA / ORGA -Yiorgis Sakellariou- (Triple Bath 2012) Review by Daniel Crokaert Yiorgis Sakellariou a.k.a. Mecha/Orga manipulates field record...