Phonography

Takanobu Hoshino – Untitled

At one time Japanese sound artist Takanobu Hoshino's art was seemingly concerned with the crackling Geiger counter air of his home city Fukushima. The ubiquitou...

Jeph Jerman – 34°111’3-N 111°95’4-W

The way images and objects relate to sound recordings is a constant two way flow. I'm currently listening to 34°111'3-N 111°95'4-W  by Jeph Jerman on the Ma...

373

Cévennes MARC NAMBLARD, OLIVIER NAMBLARD (Kalerne 2013) Review by Cheryl Tipp Where to start? With the premise, the content, the quality, the beauty? Perhap...

362

The Hebrides Suite CATHY LANE (Gruenrekorder 2013) Review by Cheryl Tipp  ‘The Hebrides Suite’ is a multi-layered collection of composed works that reflect Cat...

356

Vaccabons et malfactours FRÉDÉRIC NOGRAY -working with recordings by Cédric Peyronnet- (Kaon 2013) Review by David Vélez I There is a strong level of inten...

355

Strata. TARAB -Eamon Sprod- (Unfathomless 2013) Review by Caity Kerr 'Strata' is described as having been created from recordings made in a series of vacant...

2013 in retrospective I (336)

2013: The year in retrospective. Part I -TESSA ELIEFF- Text, images and sound by Tessa Elieff Download 'Caris Clocks' by TESSA EILEFF Download 'Craster Blo...

331

Yoi. DAVID VÉLEZ, SIMON WHETHAM (Unfathomless 2013) Review by Flavién Gillie En avril 2011 David Velez invite Simon Whetham à animer un workshop de field re...

330

Big Wad Excisions. COPPICE (Quakebasket Records 2013) Review by Caity Kerr Here are some lines from the promotional literature:- …have now blasted open the...

329

Sound Atmospheres of the Colombian Orinoquia JOSÉ RICARDO DELGADO FRANCO (Gruenrekorder 2013) Review by Cheryl Tipp For somebody like me, who has never ve...

325

O Rio / The River Vol 2. LUÍS ANTERO (Impulsive Habitat 2013) Review by Cheryl Tipp Luís Antero returns to the Alvoco Valley with ‘O Rio / The River Vol. 2’...