Musique concrete

Takanobu Hoshino – Untitled

At one time Japanese sound artist Takanobu Hoshino's art was seemingly concerned with the crackling Geiger counter air of his home city Fukushima. The ubiquitou...

358

Blank tape positive RICHARD GARET (Contour Editions 2013) Review by David Vélez I from the liner notes: 'Blank Tape Positive focuses on the modification o...

355

Strata. TARAB -Eamon Sprod- (Unfathomless 2013) Review by Caity Kerr 'Strata' is described as having been created from recordings made in a series of vacant...
article placeholder

352

Solace. BILL THOMPSON (self release 2012) Review by Caity Kerr Bill Thompson’s work is wide-ranging and largely experimental. He should be described as a st...

2013 in retrospective I (336)

2013: The year in retrospective. Part I -TESSA ELIEFF- Text, images and sound by Tessa Elieff Download 'Caris Clocks' by TESSA EILEFF Download 'Craster Blo...

335

Offset. PALI MEURSAULT (Doubtful Sounds 2013) Review by David Vélez From the liner notes This work is the result of a research about the mechanical sounds ...

334

Wasted five years. JACK HARRIS, SAMUEL RODGERS Kona kai. YPARXEI PROVLIMA AMALIA Reviews by Patrick Farmer The two newest releases on the Organised Music...

333

Karren. OLIVIA BLOCK (Sedimental 2013) Review by Patrick Farmer Block writes in her liner notes that Erving Goffman’s dramaturgical metaphor described in Th...

332

An Extended Meaning For Something Meaningless FRANCISCO MEIRINO (Auditory Field Theory 2013) Review by Caity Kerr On Auditory Field Theory we read: From t...

330

Big Wad Excisions. COPPICE (Quakebasket Records 2013) Review by Caity Kerr Here are some lines from the promotional literature:- …have now blasted open the...

323

Ars abscondita JOAO CASTRO PINTO (OtO 2013) Article / interview by David Vélez 'Ars abscondita' is an interesting release by composer Joao Castro Pinto. I...

318

Placed JEPH JERMAN, TONY WHITEHEAD (Very Quiet 2013) Review by Caity Kerr Preface I’ve been listening to two new releases which have so much in common in thei...