Electroacoustic

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Interview with D'Incise by John McEnroe Over a span of six months D'Incise released 'The field remains while the recorder has vanished', 'Praire' and 'Are f...

182

Are fishes nihilist? (all this is not realistic) D'INCISE (Kaon 2012) Review by John McEnroe There is an interesting text written by D'Incise Feraille on t...

178

Spheres. ISZ -Miguel Isaza- (Audiotalaia 2012) Review by John McEnroe Miguel Isaza is a sound artist from Medellin, Colombia and ISZ is a 'electroacustic' p...

177

Concert for no-one. SIMON WHETHAM (Impulsive Habitat 2012) Review by Flavien Gillié Capturer l'essence d'un lieu, le faire résonner sans pour autant s'effa...

173

The Field Reporter 1st anniversary One year ago The Field Reporter published its first review (Load by Signed Liden). 365 days later and 172 reviews later we...

171

Prairie. D’INCISE (Obs 2012) The genre of drone music has found a powerful voice in Swiss composer D’incise. During the past decade he has worked on several ...

164

A while and awhile. FRANCISCO MEIRINO (Obs 2012) I have seen a photograph of an open case which is absolutely stuffed full of black cables and wires. Next to...

163

Holes / Tract. COPPICE (Consumer Waste 2012) 'Holes / Tract' is the latest release from Chicago artists Coppice (Joseph Kramer and Noé Cuéllar); this work is...

159

The Field Reporter Radio #11 programmed by Cheryl Tipp (using fragments from releases by Touch via Touch Radio) . . Material featured Load (Abandoned) S...

155

split. WILL MONTGOMERY, ROBERT CURGENVEN (Winds Measure 2012) 'Heygate' by Will Montgomery Will Montgomery is a Senior Lecturer at Royal Holloway University...

153

Rishikesh. FIVE ELEMENTS MUSIC -Sergey Suhovik- (Unfathomless 2012) On a beau nous avoir inculqué depuis notre plus malléable enfance de croire en l'Eglise, ...

136

First half of 2012 in retrospective: A few words plus the noteworthy releases listed by The Field Reporter editors Over the first half of 2012 The Field Repo...