Bioacoustics

195

. ERIK DeLUCA (Everglade 2010) Review by John McEnroe I have heard and reviewed a variety of hydrophone recordings-based releases through the past two years...

194

Buiti Binafin. FRÉDÉRIC NOGRAY (3Leaves 2012) Review by John McEnroe Some times I want to listen to the sounds of the rain forest. Sometimes it’s be the bes...

193

Interview with David Michael Interview by Chris Whitehead 'The slaughter house' is a controversial phonographic release composed by sound artist David Micha...

191

The Birth of Wildlife Sound Recording Research by Cheryl Tipp For our 191th post we publish the entire research text written by our editor Cheryl Tipp (Wild...

186

The Field Reporter Radio #12 ‘Tiempo inmanente’ by David Velez Piece composed with recordings captured on August of 2012 Photo: Lina Velandia . . David...

180

El Yunque DAVID MICHAEL (Impulsive Habitat 2012)Review by Cheryl TippWe all have our own preconceived notions of what a rainforest should sound like, even if we...

173

The Field Reporter 1st anniversary One year ago The Field Reporter published its first review (Load by Signed Liden). 365 days later and 172 reviews later we...

166

Songs of the Humpback Whale. ROGER PAYNE (Capitol 1970) ‘Songs of the Humpback Whale’ can be seen as a milestone in the history of published field recordings. ...

154

The Field Reporter Radio #10 'Paisajes sonoros de parques naturales de Colombia' by José Ricardo Delgado Franco Jose Ricardo Delgado Franco is a phonographi...

148

Sempervirent. RODOLPHE ALEXIS (Gruenrekorder 2012) ‘Sempervirent’ is the result of fieldwork conducted in various protected areas of Costa Rica by French so...

138

n.RioTau. ARTIFICIAL MEMORY TRACE -Slavek Kwi- (Kaon 2012) 'n.RioTau' by Artificial Memory Trace (aka Slavek Kwi) is kaon’s second issue of the third season...

137

Frozen moment. JACQUES SODDELL (Kaon 2011) 'Frozen moment' is another release where an artist is commissioned to use the recordings that Kaon's manager Cedr...