Acousmatic

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The great silence. JAY-DEA LOPEZ (3Leaves 2013) Review by David Vélez '...deathlike, dismal, gloomy and appalling...' These are words used by British colon...

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Eolo. ANDREAS BICK (Galaverna 2013) Review by Cheryl Tipp  A clue to the contents of Andreas Bick's recent release on Galaverna can be found in the title 'Eol...

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The grey area that we inhabit Editorial by David Vélez Recently I have noticed a tendency in acousmatic composers* to move away from the recorders, micropho...

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In the field. The Art of Field Recording. CATHY LANE, ANGUS CARLYLE (Uniformbooks 2013) Review by Patrick Farmer “A place is what it is because of its locat...

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Framework Seasonal -Issue #4 Spring 2013- VA (Framework 2013) Review by Chris Whitehead Words can be sound art too. The introduction to every one of Patrick...

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Flither and slipe. JAMES WYNESS (Reekin Lum 2013) Review by David Velez James Wyness' 'Flither and slipe' is a successful example of the two most important...