Acousmatic

315

These walls resemble absence MUFI.RE -Rui Almedia- (3Leaves 2013) Review by David Vélez There is a special quality to the work of Rui Almedia that makes his...

314

Blue.Hour. YANN NOVAK (Farmacia 2013) Review by Maria Papadomanolaki Yann Novak’s Blue.Hour attempts to capture the eternity of a moment, to transpose it to...

313

Leave / trace. GRISHA SHAKHNES (Glistening Examples 2013)Review by Daniel CrokaertAlready praised for many impactful works under the MITES alias, Grisha Shakhne...

312

Processes and Potentials BJARNI GUNNARSSON (3LEAVES. 2013) Review by Jay-Dea Lopez “Processes and Potentials” is the latest work by Icelandic composer Bjarn...

311

Focus on Nothing on Focus. FRANCISCO MEIRINO, KIKO C. ESSEIVA (Aussenraum 2013) Review by Chris Whitehead Whether it's relevant or not I don't know, but imm...

310

Elegy for Bangalore* BUDHADITYA CHATTOPADHYAY (Gruenrekorder 2013) Review by Maria Papadomanolaki Birthed out of an art residency in Bangalore in the autumn...

309

Rotterdam 54:21 ROEL MEELKOP, MECHA / ORGA -Yiorgis Sakellariou- (Monochrome Vision 2012) Review by Flavién Gillie Ce disque paru chez Monochrome Vision en ...

308

Aral. D'INCISE (Mystery Sea 2013) Review by Caity Kerr ‘The desert as sea is the main idea of this piece. I recorded water in transitional state, to make mu...

307

In the wake. TERJE PAULSEN (Impulsive Habitat 2013)  Review by Cheryl Tipp ‘In the Wake’ by Terje Paulsen is the 73rd release from Impulsive Habitat and has...

305

Outcuts. DAVID HELBICH (Surfacenoise 2013) Review by Chris Whitehead In his comments on the best (and worst) of 2012, Edu Comelles set off a strand of thoug...

303

A measure of ground STEPHEN CORNFORD, PATRICK FARMER (Consumer Waste 2013) Review by David Vélez A pursuit for a form that works on an emotional and intelle...

302

Untitled #308 FRANCISCO LÓPEZ (Very Quiet 2013) Review by David Vélez The british label Very Quiet has allowed artists and composers to produce and publish ...