fieldreporter

389

Carnets Africains ERIC BROITMANN (Obs 2014) Review by Chris Whitehead Although the sounds are from Africa, the place Eric Broitmann explores in his tripty...

388

Paraty RUI CHAVES (self release 2013) Review by Maria Papadomanolaki Before starting to write this review, I opted from reading the additional information t...

387

Inner Fields DELPHINE DORA, BRUNO DUPLANT (Wild Silence 2014) Review by Flavien Gillié La figure de l'enfance, de Marguerite Duras à Delphine Dora et Bruno Du...

386

Sirène. ROBERT CURGENVEN (Recorded Fields Editions 2014)Review by Daniel CrokaertAfter a substantial succession of performances and being on the road a lot, eve...

385

A Sound Map of the Art Institute of Chicago JOHN KANNENBERG (3Leaves 2014)  Review by Cheryl Tipp Recording the “active sounds of history”. This lies at the...

384

Interview with Tessa Elieff by Jay Dea Lopez Tessa Elieff works as a sound archivist and curator at the National Film and Sound Archive of Australia.When sh...

383

Interview with Tessa Elieff by Jay Dea Lopez Tessa Elieff works as a sound archivist and curator at the National Film and Sound Archive of Australia.When sh...

382

Habitats for metal plants CHRIS WHITEHEAD (Linear Obsessional 2014) Review by David Vélez I 'Habitats for metal plants' is a release based the humorous e...

381

Terraform JAY-DEA LOPEZ (Kaon 2014)  Review by Cheryl Tipp ‘Terraform’ is the latest incarnation of the Taurion River, a body of water in France’s Limousin ...

380

  Le Cébron / Statics and Sowers THOMAS TILLY (Aussenraum Records 2014) Review by Chris Whitehead I like surfaces. They make things what they are and ...

379

‘Strata’Exchange between Richard Pinnell and Patrick Farmer PDF download Richard Pinell’s The Watchful Ear Patrick Farmer website  ...