Chris Whitehead

Takanobu Hoshino – Untitled

At one time Japanese sound artist Takanobu Hoshino's art was seemingly concerned with the crackling Geiger counter air of his home city Fukushima. The ubiquitou...

Jeph Jerman – 34°111’3-N 111°95’4-W

The way images and objects relate to sound recordings is a constant two way flow. I'm currently listening to 34°111'3-N 111°95'4-W  by Jeph Jerman on the Ma...

365

Grey Ladies. SYBELLA PERRY (Porta / Hideous Replica 2014) Review by Chris Whitehead In a field known as Nine Stones Close on Harthill moor, Derbyshire, stan...

357

Interview with Peter Lenaerts by Chris Whitehead A conversation with Peter Lenaerts By his own admission Peter Lenaerts has been obsessed by silence for ye...

2013 in retrospective IX (345)

2013: The year in retrospective. Part X -CHRIS WHITEHEAD- Sound composer. Editor at The Field Reporter. Three triggers -or three tigers- Text by Chris Whit...

326

Gum and Butts VIV CORRINGHAM (Linear Obsessional 2013) Review by Chris Whitehead Like a thief trying to leave no fingerprints, traditionally field recordist...

311

Focus on Nothing on Focus. FRANCISCO MEIRINO, KIKO C. ESSEIVA (Aussenraum 2013) Review by Chris Whitehead Whether it's relevant or not I don't know, but imm...

305

Outcuts. DAVID HELBICH (Surfacenoise 2013) Review by Chris Whitehead In his comments on the best (and worst) of 2012, Edu Comelles set off a strand of thoug...

299

These Are The Good Times LONDON SOUND SURVEY -Recordings by Ian M. Rawes- (Vittelli Records 2013)  Review by Chris Whitehead Italo Calvino's book Invisible ...

292

Pictures of Men PATRICK FARMER, DAVID LACEY (Copy For Your Records  2013)  Review by Chris Whitehead Maybe a bookcase falls forward and smashes. There are b...

289

Crackle Party VA AA LR (Porta 2013) Review by Chris Whitehead I remember going to a neighbour’s bonfire party as a kid. Of course it would be safe as it was...
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Chris Whitehead

Editor

Sound artist.