The latest issue of Evental Aesthetics is dedicated to sound art and environment. Guest editor is Gascia Ouzounian. These are the contents:

Editorial. Rethinking Acoustic Ecology: Sound Art and Environment

The Noisy-Nonself: Towards A Monstrous Practice Of More-Than-Human Listening, by Mark Peter Wright

The Sonic Anthropocene: Dark Ecological Soundscapes in Chris Watson’s “Vatnajökull”, by David C. Jackson

Collision. Imagined Drone Ecologies: Listening to Vibracathedral Orchestra, by Owen Coggins

Reading. Cognizant Perception: The Case for aCritical-Affective Ambience, by Sophie Knezic

PDF available at Evental Aesthetics.